69 results where found for «Cueca del Filistoque»


They Say the Homeland Is - Soldier's Song

Author:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Place & date:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« They Say the Homeland Is - Soldier's Song (Dicen que la patria es - Canción del soldado) »
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Mid-Afternoon Love (Amor de media tarde)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
Place & date:
« This song is dedicated to Graciela Navarro, who managed to made my prisoner's life more beautiful on the days we were allowed to receive visitors. During the week, when the hourly monotony became unbearable, she would use her free moments to deliver roses and brief love letters for me at the prison gate. »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« “Ñaca-ñaca” was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might crossed our minds. That may be why it seemed the ideal name to give to the papier maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. But Ñaca-Ñaca’s important role was more than that. The paper model was borrowed to perform the 'star role' in one of the cultural events we customarily staged every Friday. Events which, it should be pointed out, were attended only by captives and armed guards. It was a “Prisoners’ Show”, full of fantasy. »
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Go Tell It to the Rain (Ve y díselo a la lluvia)

Author:
Clan 91
Testimony by:
Eduardo Ojeda
« We had a comrade who sang beautifully. He was called Peye and was a student at the State Technical University. I’d never met him before but later we becamoe great friends in the Compingin Camp on the island. »
[...]
« We formed a group called Alpha 4, specialising in more modern songs, mainly rock songs. We played some tremendous shows. It was really nice because when we returned to the barracks, we felt like true musicians. Peye wrote a song. I remember that he showed it to me. It was written with the Viña del Mar Song Festival in mind. »
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Prayer So You Don't Forget Me

Author:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Place & date:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. I had spent most of my detention held by the DINA secret police, at the house on José Domingo Cañas Street, called the Ollagüe Barracks. Then, I was held in solitary confinement at Cuatro Álamos, and spent just a month in the Tres Álamos concentration camp. »
[...]
« As is widely known, many of the musical activities took place in prisons, in the concentration camps and in those places where prisoners were publicly acknowledged as such. I did find, during the month that I was held in Tres Álamos in December 1974, that the musical activities were very intensive and embodied a way for us to feel united among the other female comrades, to share hope, emotions and create a collective body that went beyond each individual. »
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The Prisoner of Til Til (El cautivo de Til Til)

Author:
Patricio Manns
Testimony by:
Renato Alvarado
« I arrived at Tres Álamos on the eve of the departure for Mexico of a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the Council of Elders. At 28 years of age, I found this title odd but also understandable, in light of the social esteem with which all tribes regard their healers. This tale has its origins there, as does a famous doctors’ strike, but that is another story. »
[...]
« As luck would have it, the person who took delivery of the piece of paper was one of the few non-political prisoners. His name was “Chico Pulento”, a member of the long criminal dynasty of the Fuentes Cancino gang, specialized in illegal gambling. He had been caught in possession of a false identification card and arrested under suspicion of being a “subversive”. Pulento knew nothing about the political prisoners’ organization, so he turned to his only friend of that group, a Mexican known as “Toluca”, who, in turn, handed the piece of paper to me. »
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Friend (Amiga)

Author:
Miguel Bosé
Testimony by:
Carolina Videla
Place & date:
« When they arrested me I was 19 years old. I was one of the youngest political prisoners at the time in Arica. »
[...]
« Carolina Videla »
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Why does the afternoon cry (Por qué llora la tarde)

Author:
Antônio Marcos. Popularised in Chile by Claudio Reyes
Testimony by:
Carolina Videla
Place & date:
« My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of “lack of evidence”, after a year and a half in prison. »
[...]
« Carolina Videla »
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Everything Changes (Todo cambia)

Author:
Julio Numhauser
Testimony by:
Carolina Videla
Place & date:
« My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
[...]
« Carolina Videla »
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Little Doctors (Doctorcitos)

Author:
Unknown. Folk tune from the Andes highlands
Testimony by:
Guillermo Orrego Valdebenito
« In 1974 - I don’t quite remember the month - the Chacabuco Olympics were held. The opening ceremony consisted of symbolically carrying the Olympic torch through the concentration camp. »
[...]
« The march was accompanied by the sounds of the quena played by Ricardo Yocelevsky, a former member of the group Los Curacas. I remember the song as a taquirari from Los Chaskas, a Bolivian group that performed at the Viña del Mar Festival on one occasion. »
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