Cantos Cautivos
890 results where found for «Melodía de Jorge Peña Hen»
- Music piece by:Jorge Peña Hen
- Testimony by:María Fedora Peña
- Experience in:Cárcel de la Serena, October 1973
- Tags:
- « 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
- [...]
- « Jorge Peña Hen »
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- Music piece by:Jorge Peña Hen
- Testimony by:Eliseo González
- Experience in:Cárcel de la Serena, October 1973
- Tags:
- «
Jorge Peña Hen was in solitary confinement that day. I don’t know how, but someone brought him matches. With his saliva, he made ink from the phosphorus tips, which he then used to write a score of music on a scrap of paper. »- [...]
- « Jorge Peña Hen »
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- Music piece by:Félix Luna (lyrics) and Ariel Ramírez (music). Popularised by Mercedes Sosa.
- Testimony by:Sergio Vesely
- Experience in:Villa Grimaldi, January 1975
- Tags:
- « It was not easy to endure being locked up in one of Villa Grimaldi’s miserable cells, which resembled vertical coffins. It was even harder in the high temperatures of the summer months of the Andes foothills in Peñalolén. I was inside one of those cells, blindfolded, my feet and hands in chains. »
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Recinto: Regimiento de Telecomunicaciones, Peñalolén- There are no testimonies about this detention centre.
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Recinto: Retén de Carabineros, Peñaflor- There are no testimonies about this detention centre.
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- Music piece by:Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularised by Los Moros and Jorge Yáñez.
- Testimony by:Guillermo Orrego Valdebenito
- Experience in:
- Tags:
- « In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed, and another theatre that was inside the concentration camp. »
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- « that explodes when memories, wine and skirts »
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- Music piece by:Violeta Parra
- Testimony by:Ernesto Parra Navarrete
- Experience in:Campamento de Prisioneros, Estadio Nacional, 9 November 1973
- Tags:
- « Run Run... On the big pitch, mild summer weather was in the air. »
- [...]
- « Walking along the running track, our heads bowed and trying to catch the breath needed for that moment, we suddenly heard a murmur greeting and singing to us 'Run Run, se fue pa’l norte, no sé cuándo vendrá…' (Run Run went up North, I don’t know when he’ll come…). »
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- Music piece by:Eusebio Lillo and Ramón Carnicer
- Testimony by:Boris Chornik Aberbuch
- Experience in:Campamento de Prisioneros Melinka, Puchuncaví, March 1975
- Tags:
- « The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
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- « Another, very extroverted dog, participated when all of us were quietly awaiting the commander’s order to leave. The dog approached the flagpole, sniffed it, assessed it as the closest thing to a tree available at that moment. Then he did what he had to do by the flagpole. »
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- Music piece by:original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
- Testimony by:Luis Madariaga
- Experience in:Cárcel de Valparaíso, 1974 - 1976
- Tags:
- « In prison, we would sing the 'Ode to Joy' when a comrade was released or sent to exile. »
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- Music piece by:original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, 31 December 1975
- Tags:
- « Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. »
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- « She lived in the neighbourhood nearby, on the other side of that long wall, now painted white. She had been with us a few months and when the day of her release came, she cried and cried and cried. At last, she was getting out, but she was taking the sadness of leaving us behind with her. »
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