874 results where found for «Campamento de Prisioneros Melinka, Puchuncaví»


Words for Julia (Palabras para Julia)

Author:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Place & date:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976 until Tres Álamos was closed on 28 November 1976
« There were so many of us women prisoners. Despite the circumstances we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. One might think we were ambitious women, and yes, we certainly were. Most of us remain so, and surely will continue to be until the end. »
[...]
« Campamento de Prisioneros, Tres Álamos »
[Read full testimony]

Lucía

Author:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Place & date:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Tres Álamos was a more “normal” camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. There were days when we put more enthusiasm into it, on Saturdays or Sundays after the visits, although I’m not all that sure. »
[...]
« Campamento de Prisioneros, Tres Álamos »
[Read full testimony]

Las mañanitas

Author:
Manuel M. Ponce
Testimony by:
Beatriz Bataszew Contreras
Place & date:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Normally we would sing when they locked us up in the barracks, from seven or eight at night until eight or nine in the morning. Sometimes the guards would come in but didn’t stay. It was our act. »
[...]
« Campamento de Prisioneros, Tres Álamos »
[Read full testimony]

Little Doctors (Doctorcitos)

Author:
Unknown. Folk tune from the Andes highlands
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, January - February 1974
« Agreeing to a suggestion from Ricardo, Los de Chacabuco learned and arranged this tune. In the Andean high plateau, the tune is a satirical reference to lawyers and, by implication, to civil servants. It is performed at carnival time. »
[...]
« Campamento de Prisioneros Chacabuco »
[Read full testimony]

Morning Has Broken

Author:
Cat Stevens, based on a traditional Gaelic hymn; lyrics by Eleanor Farjeon
Testimony by:
Luis Cifuentes Seves
Place & date:
« At the time of the coup in 1973, this song was world-famous and frequently played on the radio. As transistor radios were quite small, many people were arrested with one of these in their pockets, and a significant number were not searched and confiscated by the military. This explains why, when we were in the National Stadium, we were able to listen to them, keep track of the news and listen to music. »
[...]
« Campamento de Prisioneros, Estadio Nacional »
[Read full testimony]

With the Sprouts I Sowed (Y con brotes de mi siembra)

Author:
Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularized by Los Moros and Jorge Yáñez.
Testimony by:
Guillermo Orrego Valdebenito
« In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed; and another theatre that was inside the concentration camp. At the latter venue, every Sunday night at about 8 o’clock, a show was performed with the sole participation of the political prisoners and in the presence of the camp’s guards, and at the express invitation of the Council of Elders, a body that represented the comrades in captivity. »
[...]
« Campamento de Prisioneros Chacabuco »
[Read full testimony]

Caliche

Author:
Calatambo Albarracín
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, December 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, arranged this song. It was sung several times during the Saturday shows at the Chacabuco concentration camp. At the farewell concert for Angel, Alberto Corvalán recorded it on cassette, and a subsequent LP was produced from that cassette. »
[...]
« Campamento de Prisioneros Chacabuco. »
[Read full testimony]

Musicalized Dialogue between Two Old Prisoners (Diálogo musicalizado entre dos ancianos presos)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« At Puchuncaví Detention Camp (Melinka) I shared a cell with an elderly man from Lota, where he had spent his entire life working in the coal mines. I was struck by the way he spoke. It was very different from the “Chilean” way of a twenty-something year-old from the capital like me. When he talked to our fellow prisoners, I could barely understand a word he said. I composed this song in the cell by transcribing some of our conversations. »
[...]
« Campamento de Prisioneros Melinka »
[Read full testimony]

The Paper Boat (El barco de papel)

Author:
Julio Numhauser, popularised by the band Amerindios.
Testimony by:
José Selín Carrasco Vargas
« While we were imprisoned in Melinka, this song was sung every time that one of us was released. I remember a fellow prisoner nicknamed Bigote Molina (Moustache Molina) singing the song when we were going to Tres Álamos, from where we would be released a few days later. »
[...]
« Campamento de Prisioneros Melinka »
[Read full testimony]

Coplas of El Yopo (Coplas de El Yopo)

Author:
Unknown. Traditional Venezuelan song. Popularised in Chile by Isabel and Ángel Parra
Testimony by:
Carlos Muñoz
Place & date:
« A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of ‘El Yopo’ (also ‘chopo’), as is usual in popular culture. The tune was well-known in Chile, as sung by Ángel and Isabel Parra, who called it "Décimas del folklore venezolano" or "Coplas Venezolanas". It was one of the most popular songs in prison and was performed at many of our musical events. It was also sung at Ritoque and Puchuncaví. »
[...]
« Campamento de Prisioneros, Tres Álamos »
[Read full testimony]