157 results where found for «Manuscript by Jorge Peña Hen»


Melody by Jorge Peña Hen

Song by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« Melody by Jorge Peña Hen »
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Melody by Jorge Peña Hen

Song by:
Jorge Peña Hen
Testimony by:
Eliseo González
Experience in:
Cárcel de la Serena, October 1973
« Jorge Peña Hen(1) was in solitary confinement that day. I don’t know how, but someone brought him matches. With his saliva, he made ink from the phosphorus tips, which he then used to write a score of music on a scrap of paper. »
[...]
« Melody by Jorge Peña Hen »
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Saint Gregory’s Tonada (Tonada San Gregorio)

Song by:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This tonada(1) recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. »
[...]
« My final wish was to transport myself, by hook or by crook, to those northern latitudes. That was how that song developed, that song I was unable to write down. There was no manuscript paper, as we were thoroughly searched and checked twice a day. It was not possible to write down, only to learn by heart. »
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Partisan Anthem (Himno guerrillero)

Song by:
anonymous Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on 'Makhnovtchina', attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Experience in:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
[...]
« We had already seen him disfigured by the blows; they had even applied electricity to a bullet wound when they shot him at the time of his arrest. Moren Brito boasted that he had run a pick-up truck over Sergio’s body. »
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Ode to Joy (Himno a la alegría)

Song by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Amelia Negrón
Experience in:
« Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. »
[...]
« She lived in the neighbourhood nearby, on the other side of that long wall, now painted white. She had been with us a few months and when the day of her release came, she cried and cried and cried. At last, she was getting out, but she was taking the sadness of leaving us behind with her. »
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Return, Return, Return (Volver, volver, volver)

Song by:
Vicente Fernández
Testimony by:
Jorge Montealegre Iturra
« At the Chacabucan artistic shows, Hugo sang tangos, including 'Volver' (Return) by Gardel and Le Pera. »
[...]
« Back then, when he performed on the prison camp stage, he sang it mischievously and a sense of dark humour. This was expressed not only because of the real possibility of returning to the prison, but also by the gestures he made when singing 'Voy camino a la locura y aunque todo me tortura…' ('I’m on the road to madness and still everything tortures me...'). »
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Casida of the Dark Pigeons (Casida de las palomas oscuras)

Song by:
Federico García Lorca (words), Paco Ibáñez (music)
Testimony by:
Luis Alfredo Muñoz González
Experience in:
« According to scientists, memory and music processing are situated in a deep, ancestral part of the brain, where it is zealously guarded. »
[...]
« Very early the next morning, I was awakened by the voice of a woman calling my name. Still half asleep, I thought it was Diana calling me from someplace in the 'afterlife'. The voice cautiously persisted. The voice came from the right side of my cell. Naked, I went to the window (I always showered clothed to wash the blood off my clothes, which I then hung to dry from the bars of the window.). »
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The Letter (La carta)

Song by:
Violeta Parra
Testimony by:
Paicavi Painemal
Experience in:
« We set up a band with a group of fellow prisoners. They were young, university students. One of them had a guitar. »
[...]
« We also sang songs by Victor Jara(4) ('Luchín'), Patricio Manns(5) ('Arriba en la cordillera'), Inti-Illimani(6), Illapu(7), and Schwenke and Nilo(8). I still have the cassettes. When I listen to them the good memories come back to me. »
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Free (Libre)

Song by:
Nino Bravo
Testimony by:
Guillermo Orrego Valdebenito
« This song was performed in the Stadium grandstands by a worker from the Madeco factory: Peineta Vasquez, winner of a Song Festival that was organised at grassroots level, during the times when we were allowed to leave the spaces under the grandstands, inside the stadium,  to sunbathe, together with women from various countries, before they got sent off to the pool area. »
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You Hear It Far Away (Se escucha muy lejos)

Song by:
Collective creation
Testimony by:
Ignacio Puelma
Experience in:
« The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
[...]
« Our group continued to add new songs to its repertoire, including some by one Silvio Rodríguez, then not very well known. A few days later, while I was washing in the camp bathroom, a political leader, whom I respected and still do, said to me in a solemn tone: »
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