193 results where found for «Song of a Middling Man»


Morning Has Broken

Music piece by:
Cat Stevens, based on a traditional Gaelic hymn; lyrics by Eleanor Farjeon
Testimony by:
Luis Cifuentes Seves
Experience in:
« At the time of the coup in 1973, this song was world-famous and frequently played on the radio. »
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With the Sprouts I Sowed (Y con brotes de mi siembra)

Music piece by:
Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularised by Los Moros and Jorge Yáñez.
Testimony by:
Guillermo Orrego Valdebenito
« In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed, and another theatre that was inside the concentration camp. »
[...]
« In those shows, there was an outstanding contribution by our comrade Servando, whose nickname was ‘Venancio,’ and who had a preference for performing songs of Tito Fernández, ‘El Temucano’. Venancio also performed work by other songwriters. »
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Caliche

Music piece by:
Calatambo Albarracín
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, December 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, arranged this song called "Caliche". It was sung several times during the Saturday shows at the Chacabuco concentration camp. At the farewell concert for Angel, Alberto Corvalán recorded it on cassette, and a subsequent LP was produced from that cassette. »
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Today Was Visitors’ Day (Hoy fue día de visitas)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« Visitors’ day was an exceptional day that broke the monotonous routine of all the other days of the week. »
[...]
« I wrote this song in Valparaíso Jail, where I sang it countless times accompanied by my dearly remembered cellmate, the musician Antonio Suzarte from Valparaíso. »
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Musicalized Dialogue between Two Old Prisoners (Diálogo musicalizado entre dos ancianos presos)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« At Puchuncaví Detention Camp (Melinka) I shared a cell with an elderly man from Lota, where he had spent his entire life working in the coal mines. »
[...]
« I was struck by the way he spoke. It was very different from the 'Chilean' way of a twenty-something-year-old from the capital like me. When he talked to our fellow prisoners, I could barely understand a word he said. I composed this song in the cell by transcribing some of our conversations. »
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Valparaíso

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song was written and sung in cell number 198 of Valparaíso’s former prison, that is to say, on the top floor of the main building, which was higher than the walls that surrounded it. »
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How Can I Describe This to You? (Cómo hacer para darte una idea)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This is one of two songs I wrote in prison for my beloved Graciela. In the song I tried to draw her closer to me, describing my everyday world and my experience of life as a captive. »
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Beloved Friend (Amado amigo)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
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The Paper Boat (El barco de papel)

Music piece by:
Julio Numhauser, popularised by the band Amerindios
Testimony by:
José Selín Carrasco Vargas
« While we were imprisoned in Melinka, this song was sung every time that one of us was released. I remember a fellow prisoner nicknamed Bigote Molina (Moustache Molina) singing the song when we were going to Tres Álamos, from where we would be released a few days later. »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Paicavi Painemal
Experience in:
« I’m from Chol Chol, part of the Coihue community. I was arrested along with 12 other people and they took us to the Second Police Station of Temuco. »
[...]
« They would play songs by Nino Bravo, especially 'Libre' ('Free'). They would put them on in the background and loudly, to drown out my screams. »
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