331 results where found for «Let’s Break the Morning (Rompamos la mañana)»


Futuristic Anthem (Himno futurista)

Song by:
unknown
Testimony by:
Patricio Polanco
Experience in:
« In 1973 and 1974, Pisagua was characterised by the harsh and cruel treatment of political prisoners. Singing was mandatory for prisoners, who were guarded by Army platoons, and it was also a means to avoid beatings and collective mistreatment. »
[...]
« there will be no more brawls nor complaints »
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The Valley Swallow (La golondrina del valle)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« One of the most amazing experiences I had during my six months in the Puchuncaví Prison Camp was to see the metamorphosis of the barbed wire fence into a huge musical score. This happened when a flock of swallows made a surprise visit and hundreds of them perched at different heights on the stiff barbed wire. It was the image that inspired this song. »
[...]
« The Valley Swallow (La golondrina del valle) »
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Everything Changes (Todo cambia)

Song by:
Julio Numhauser
Testimony by:
Carolina Videla
Experience in:
« My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
[...]
« The plant changes and wears »
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Friend (Amiga)

Song by:
Miguel Bosé
Testimony by:
Carolina Videla
Experience in:
« When they arrested me I was 19 years old. I was one of the youngest political prisoners at the time in Arica. »
[...]
« the last shred of your dress »
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I Come Back (Vuelvo)

Song by:
Patricio Manns (lyrics) and Horacio Salinas (music)
Testimony by:
Fernando Aravena
Experience in:
« During our mate-drinking gatherings in the Prison of Santiago, we always talked about the song ‘Vuelvo’. It gave you the hope of returning to the fight. The prison was only something temporary. »
[...]
« At the end of the last kiss. »
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Moments (Los momentos)

Song by:
Eduardo Gatti
Testimony by:
Scarlett Mathieu
« ‘Moments’ was a song sung by the female comrades whose partners were imprisoned on the other side of Tres Álamos, or were fugitives or disappeared. We all sang it, but it was like their anthem. »
[...]
« From their large hands, they hang »
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A Million Friends (Un millón de amigos)

Song by:
Roberto Carlos
Testimony by:
Pedro Mella Contreras
« I was arrested when I was 32 years old, along with approximately twenty-three other people. »
[...]
« So I can split the catch when I land. »
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We Shall Overcome

Song by:
Attributed to Charles Albert Tindley
Testimony by:
Alfonso Padilla Silva
Experience in:
« When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. On 19 February of that year, a trial process began before a military tribunal and seven or eight comrades including myself were transferred to the prison. »
[...]
« Among the political prisoners there were three or four who played guitar very well. That wasn’t my case, but I knew enough to start giving  guitar lessons. Over several months I had about 60 guitar "students". The most enthusiastic, of course, were the younger ones, who practised intensively. With those who became more advanced I formed a nine-piece group, and between 1974 and 1975 we gave four 'concerts'. »
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The Soldier (El soldado)

Song by:
Rafael Alberti (lyrics), Ángel Parra (music)
Testimony by:
Alfonso Padilla Silva
Experience in:
« During Christmas 1973, approximately 660 men and 100 women were held as prisoners in the Concepción Regional Stadium. Concentration camp officials allowed us to celebrate Christmas on the pitch. We were in a corner of the pitch and we used the pole vault pit as a stage. Two professional radio broadcasters were excellent masters of ceremony, combining veiled messages with other more candid ones, all with a hefty dose of humour and good taste. They also recited poems. »
[...]
« Father Camilo Vial, who was later appointed bishop, was an important champion of the political prisoners’ rights given the horrible conditions we were in, and he gave us an excellent Spanish guitar. Many men and women political prisoners sung alone, in pairs or in groups, accompanied by that guitar. One prisoner sang "El soldado", a poem by Rafael Alberti set to music by Ángel Parra. »
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The Little Cigarette (El cigarrito)

Song by:
Víctor Jara
Testimony by:
Alfonso Padilla Silva
Experience in:
« During Christmas 1973, I was one of some 600 men and 100 women prisoners in Concepción Regional Stadium. The concentration camp officials allowed us to celebrate Christmas in the sports arena. To be precise, we were in one corner of the playing field and we used the pole vault pit as a stage. »
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