450 results where found for «The Rain is Falling»


I Can Trust the Lord (Puedo confiar en el Señor)

Song by:
Unknown
Testimony by:
Sigifredo Ramos Vásquez
Experience in:
Cárcel de Temuco, September - December 1973
« My experience during our captivity can be summed up in this personal observation. Protest songs were forbidden, so we had no other option than to sing religious songs. One religious song really struck a chord among my fellow prisoners, to such an extent that it took on the character of a true battle anthem. We sang it with such fervour that it became a genuine message of faith and hope for the much yearned-for freedom and justice. »
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Answer Me

Song by:
Gerhard Winkler and Fred Rauch. English lyrics by Carl Sigman. Recorded by Frankie Laine.
Testimony by:
Luis Cifuentes Seves
Experience in:
« I sang this song alone in the National Stadium dressing rooms where I was held from September to November of 1973. This happened when the soldiers allowed artistic performances to take place in the converted dressing rooms while we waited our turn to be interrogated or after returning from interrogations. These were often torture sessions. »
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Ode to Joy (Himno a la alegría)

Song by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Luis Madariaga
Experience in:
« In prison we would sing this when a comrade was released or sent to exile. It was a powerful source of strength, solidarity and ironclad brotherhood, created during those long months in captivity, seeking an outlet for our hearts. I believe that that experience left a mark on all of us. »
[...]
« During my time at Valparaíso Prison, I had the chance to see the singer Julio Iglesias come to the facility. He said something stupid: “I am a prisoner too; I practically live on an aeroplane.” The reaction of the political prisoners watching from the third gallery of that hellish prison was total silence. The word had spread asking that no one should applaud whatever Iglesias had to say. This led Iglesias to later ask the man who had brought him to this place who those guys were up on the Prison’s third gallery, who never once applauded him and kept quiet. This had been quite noticeable because there were many of us up there surrounding the gallery's handrails. It was our way of expressing our disapproval for this man who was on good terms with Chile’s criminal dictatorship. Then Iglesias left. »
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Ode to Joy (Himno a la alegría)

Song by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Amelia Negrón
Experience in:
« Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. I’m not sure whether it was our idea or whether the men had proposed it. That detail is irrelevant now. »
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Captive Quena (Quena cautiva)

Song by:
Claudio Enrique Durán Pardo (aka Quique Cruz)
Testimony by:
Claudio Enrique Durán Pardo
Experience in:
Campamento de Prisioneros, Tres Álamos, September - December 1975
« I first laid my hands on a quena (Andean flute) when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. Five years later, aged 14, I had already become the quena player of a quartet in ​​San Antonio. »
[...]
« I had been kidnapped and imprisoned for at least eight months when the following occurred. Bored and desolate, I’d go out onto the narrow courtyard in the afternoon and play the quena, always improvising melodies: long notes, silences. . . staccato notes and then longer notes. . . perhaps a huayno (Quechuan dance), more typical of the quena. »
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Return, Return, Return (Volver, volver, volver)

Song by:
Vicente Fernández
Testimony by:
Jorge Montealegre Iturra
« At the Chacabucan artistic shows, Hugo Peñaloza sang tangos, including “Volver” (Return) by Gardel and Le Pera. This caused a lot of self-ironic laughter when he sang  “que veinte años no es nada” (twenty years is nothing) given our situation of uncertainty in which no one knew how long we’d be imprisoned. He also sang it during a farewell party for a group of comrades who were going to be released. To think of returning was tragicomic. And yet, four decades later, we returned. Of our own free will. »
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South-Eastern Storm (La Sudestada)

Song by:
unknown
Testimony by:
Luis Alfredo Muñoz González
Experience in:
« While I was in solitary confinement in Cuatro Álamos, one day I noticed there was a large room at the end of the corridor, which, overnight, the "dinos" (members of the DINA secret police) had filled with prisoners. At the end of the day, these comrades organised quite a "jamboree": talking, sharing information, asking questions and singing. It was a frenetic activity of solidarity, support, courage and warmth. »
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Sufferings (Dolencias)

Song by:
Víctor Valencia Nieto
Testimony by:
Domingo Chávez Navarro
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - April 1974
« Marcelo Concha Bascuñán sang this song, which many of us liked. I personally knew Marcelo and we were both released from prison at the same time. I left the country, whereas Marcelo stayed in Chile. The DINA picked him up and since then he is one of so many disappeared people. »
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For the Guy Who's Leaving

Song by:
Alfredo Zitarrosa
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November – April 1974
« Marcelo Concha Bascuñán, member of the Los de Chacabuco band, was a young man of great charisma and personal skills. He had been a swimming champion, and was an outstanding guitarist and singer. »
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Love Song (Canción de amor)

Song by:
Ángel Parra
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November – December 1973
« Ángel Parra organised and directed the band Los de Chacabuco until his release from prison. Angel only conducted the group, and never sang or played an instrument. The exception was his farewell concert, which was the only time he sang at Chacabuco. One of the songs he performed on that occasion was this one, dedicated to his wife. When Angel was released, Ernesto Parra became the group’s conductor. »
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