Testimonies

Testimonies are sorted by witness.


Edgardo Carabantes Olivares:

Zamba of my Hope (Zamba de mi esperanza)

Music piece by:
Luis H. Profili
« Horacio Carabantes Olivares, my brother, was locked up in January 1975 at the Maipo regiment of Valparaíso, with a large group of male and female prisoners, all arrested by the DINA. »
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Eduardo Andrés Arancibia Ortiz:

Story of the Chair (Historia de la silla)

Music piece by:
Silvio Rodríguez
Experience in:
« This was one of the songs Silvio Rodríguez sang to us the day he visited the political prisoners in Santiago’s Public Jail in 1990. »
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The Dance of Those Left Behind (El baile de los que sobran)

Music piece by:
Los Prisioneros
Experience in:
« I learnt about Los Prisioneros through the 'Hecho en Chile' programme on Radio Galaxia, presented by Sergio 'Pirincho' Cárcamo. Their music became our trench and musical poetry, like all other forms of struggles against dictatorship. »
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Eduardo Ojeda:

National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Experience in:
« We arrived at Dawson Island on the afternoon of 11 September. All we knew was that we had been arrested in the morning - nothing else. »
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Far Away (Tamo daleko)

Music piece by:
Djordje Marinkovic. Chilean adaptation of traditional Serbian song, originally composed in 1916.
« At Compingin Camp on the island, Mario started telling us about the Spanish lyrics of the Yugoslav song 'Tamo daleko'. The song was not Croatian: it was Serbian. »
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Go Tell It to the Rain (Ve y díselo a la lluvia)

Music piece by:
Clan 91
« We had a comrade who sang beautifully. He was called Peye and was a student at the State Technical University. »
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Balderrama

Music piece by:
Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa
« We arrived at Camp Compingin on Dawson Island on the afternoon of 11 September. We knew that we had been arrested that morning, and we knew nothing else yet. »
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Eduardo René Cuevas:

The Rain is Falling (Scende la pioggia)

Music piece by:
The Turtles ('Elenore'), with new lyrics by Gianni Morandi
Experience in:
Cárcel de Los Ángeles, September 1973
« This song was a workhorse for the prisoners. Iván Moscoso sang it, accompanied by a guitar, in a powerful and defiant voice, and the most altruistic among us sung along in the presence of the gendarme guards, in a courtyard that was only for political prisoners. »
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The Great Gigi L’amoroso (Gigi el amoroso)

Music piece by:
Jacqueline Misrahi, Lana Sebastian and Paul Sebastian. Popularised by Dalida in various languages: Italian ('Gigi L’amoroso'), Spanish ('Gigi el amoroso'), French ('Gigi l'amour'), English ('The Great Gigi l’amoroso'), German ('Gigi der Geliebte') and Japanese ('Ai suru Jiji').
« This song was used while the Military Intelligence Service (SIM) subjected me to cruel torture at a clandestine torture centre in the southern Chilean city of Los Ángeles. »
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Eliseo González:

Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Experience in:
Cárcel de la Serena, October 1973
« Jorge Peña Hen was in solitary confinement that day. I don’t know how, but someone brought him matches. With his saliva, he made ink from the phosphorus tips, which he then used to write a score of music on a scrap of paper. »
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Ernesto Parra Navarrete:

Run Run Went up North (Run Run se fue pa'l norte)

Music piece by:
Violeta Parra
Experience in:
« Run Run... On the big pitch, mild summer weather was in the air. »
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Felipe Chiang Martínez:

Thanks to Life (Gracias a la vida)

Music piece by:
Violeta Parra
Experience in:
« I was born in Vallenar, but I have lived in Copiapó practically all my life. At the age of 18, I started working in the mines and also began my political activity. »
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Fernando Aravena:

You Will Pay (The Cigarette Smoke) (Pagarás [El humo del cigarrillo])

Music piece by:
Manuel Mantilla
Experience in:
« The political prisoners were isolated but when they made us go down to the courtyard, we were with the common prisoners. »
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The Prisoner of Til Til (El cautivo de Til Til)

Music piece by:
Patricio Manns
Experience in:
« The political prisoners organised mateadas once or twice a week, during which we did poetry and sang songs, amongst them ‘El cautivo de Til Til’ by Patricio Manns, ‘Samba Landó’ and ‘Vuelvo’ by Inti-Illimani, ‘Valparaíso’ by Osvaldo ‘Gitano’ Rodríguez, and songs by Eduardo ‘Gato’ Alquinta and Silvio Rodríguez. »
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I Come Back (Vuelvo)

Music piece by:
Patricio Manns (lyrics) and Horacio Salinas (music)
Experience in:
« During our mateadas in the Prison of Santiago, we always talked about the song ‘Vuelvo’ (I Come Back). It gave you the hope of returning to the fight. The prison was only something temporary. »
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Fernando Lanfranco Leverton:

Cantata Our Great Mother (Cantata Nuestra Madre Grande) - Towards the Light (Hacia la luz)

Music piece by:
Manuel Luis Rodríguez Uribe (lyrics), Fernando Lanfranco Leverton (music), Marco Antonio Barticevic Sapunar (notation)
Experience in:
Campamento de Prisioneros Isla Dawson, December 1973; Cárcel de Punta Arenas, September 1975
« Most of us, political prisoners from the Magallanes region, were transferred to the detention and torture camp on Dawson Island on 21 December 1973. We came from the more than twenty detention, torture and interrogation centres of the civil-military dictatorship in the Magallanes region. »
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Gabriela Durand:

To Be Seventeen Again (Volver a los diecisiete)

Music piece by:
Violeta Parra
« I was 18, and already I had been tortured on the parrilla several times. One day I was with some other comrade prisoners, and as sometimes happened, the guards put some music on. »
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