37 results where found for «Metropolitana»


Saint Gregory’s Tonada (Tonada San Gregorio)

Author:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This tonada song* recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. That afternoon of 11 September 1973, I was at school marking some music tests. After a while I heard a very loud bang on the door and went to open it at once. It was the police. »
[...]
« Metropolitana »
[Read full testimony]

Captive Quena (Quena cautiva)

Author:
Claudio Enrique Durán Pardo (aka Quique Cruz)
Testimony by:
Claudio Enrique Durán Pardo
Place & date:
Campamento de Prisioneros, Tres Álamos, September - December 1975
« I first laid my hands on a quena (Andean flute) when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. Five years later, aged 14, I had already become the quena player of a quartet in ​​San Antonio. »
[...]
« Metropolitana »
[Read full testimony]

South-Eastern Storm (La Sudestada)

Author:
unknown
Testimony by:
Luis Alfredo Muñoz González
Place & date:
« While I was in solitary confinement in Cuatro Álamos, one day I noticed there was a large room at the end of the corridor, which, overnight, the "dinos" (members of the DINA secret police) had filled with prisoners. At the end of the day, these comrades organised quite a "jamboree": talking, sharing information, asking questions and singing. It was a frenetic activity of solidarity, support, courage and warmth. »
[...]
« Metropolitana »
[Read full testimony]

Casida of the Dark Pigeons (Casida de las palomas oscuras)

Author:
Federico García Lorca (words), Paco Ibáñez (music)
Testimony by:
Luis Alfredo Muñoz González
Place & date:
« According to scientists, memory and music processing are situated in a deep, ancestral part of the brain, where it is zealously guarded. Perhaps this explains why even after our bodies have been destroyed down to the bone marrow, when nothing is left of us but the murky eyes of death, music and song appear. »
[...]
« Metropolitana »
[Read full testimony]

The Paper Boat (El barco de papel)

Author:
Julio Numhauser, popularised by the band Amerindios.
Testimony by:
Carlos Muñoz
Place & date:
« One of the most important songs in the detention centres. Impossible to count how many times we sang it. Every time someone was released from a detention camp or there was credible information that a person would be sent into exile, a gigantic chorus would sing this song, in a powerful unison. No one could possibly forget it. Especially significant at Tres Álamos, as this was the “exit” camp. »
[...]
« Metropolitana »
[Read full testimony]

Today I Sing for the Sake of Singing (Hoy canto por cantar)

Author:
Nydia Caro and Riccardo Cerratto
Testimony by:
Beatriz Bataszew Contreras
Place & date:
« I have never been a great music listener. Nevertheless, before the coup I used to listen to Nueva Canción, especially Quilapayún and Rolando Alarcón. I also liked cumbias, to fool around. We would dance and have fun. On the other hand, and this is more due to my family, I have always liked classical music, particularly Tchaikovsky. It stirs important things in me. It moves me. »
[...]
« Metropolitana »
[Read full testimony]

Free (Libre)

Author:
Nino Bravo
Testimony by:
anónimo
Place & date:
« While waiting in the grandstands to be interrogated for the first, second or more times, we would sing "Free" to those who were being lined up to be released. "Free" was a catharsis, a mixture of joy for those who were going and hope for those of us left behind. Unfortunately, the dictatorship and its civil and military henchmen employed the song for their own propaganda. »
[...]
« Metropolitana »
[Read full testimony]

Free (Libre)

Author:
Nino Bravo
Testimony by:
Guillermo Orrego Valdebenito
« This song was performed in the Stadium grandstands by a worker from the Madeco factory: Peineta Vasquez, winner of a Song Festival that was organised at grassroots level, during the times when we were allowed to leave the spaces under the grandstands, inside the stadium,  to sunbathe, together with women from various countries, before they got sent off to the pool area. »
[...]
« Metropolitana »
[Read full testimony]

Words for Julia (Palabras para Julia)

Author:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Place & date:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976 until Tres Álamos was closed on 28 November 1976
« There were so many of us women prisoners. Despite the circumstances we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. One might think we were ambitious women, and yes, we certainly were. Most of us remain so, and surely will continue to be until the end. »
[...]
« Metropolitana »
[Read full testimony]

The Internationale

Author:
Eugène Pottier (lyrics) and Pierre Degeyter (music). Popularised by Quilapayún in 1970s Chile.
Testimony by:
Ana María Jiménez
Place & date:
Villa Grimaldi, April 1975
« In April 1975, the triumph in Vietnam was celebrated. We heard about it through a comrade who went to the bathroom and found a piece of the week’s newspaper. It was so beautiful for us to be there, having shouted so often for Vietnam at demonstrations. »
[...]
« Metropolitana »
[Read full testimony]